Faust ve Şeyh San’an Hikâyelerinde Varoluşsal Yolculuk
ZEITSCHRIFT FÜR DIE WELT DER TÜRKEN
Makale Bilgileri
| Makale Başlık | Faust ve Şeyh San’an Hikâyelerinde Varoluşsal Yolculuk |
| Makale Başlık İngilizce | Faust ve Şeyh San’an Hikâyelerinde Varoluşsal Yolculuk |
| Cilt / Sayı | Cilt: 10 / Sayı: 2 |
| Yazar | Melike GÖKCAN |
| Makale Dili | Türkçe |
| DOI |
Özet Türkçe
Kıssa-i Şeyh San’an is one of the most important stories of the Attar’s masnavi called Mantıku’t-tayr. In the work, it is resolved an existential problem of the people search for meaning In this resolution, it is also used the travel allegory which include indirectly cosmogonic and eschatological designs of the sufism. This, is the maturity journey to the beauty which describes the being from the “a’yan-ı sabite” to the appearance in the material world and the evolution process till the return of its main position. Path symbolizes the certain phases. The path as a spatial is not linear in the story, it is circular. Lover, returns to the starting point where he was depart in the first place but the person who came back is not the same person. In this study, based on the Şeyh San’an sample it was scrutinised processes of the function of the path allegory in the sufism; creation phenomenon with love, break taboos of the individuality, obliqueness/ annihilation, the real comprehension of the existence by way of love and the reconstruction of the people. The appearance of the existantialism in Sufism was interpreted over “existence-nonbeing” dialect. The search for meaning is the important step for the explanation of the existence. Basis of the story is composed with the fiction of a “seyr-ü süluk” symbolic self-expression language Such works that question an existential problem are present in all cultures, Jung, who interprets this subject with a scientific care, has revealed that the common culture of mankind is registered in the social unconscious. One of the bases of this study is that a monomyth theory that J. Campbell has built on the basis of Jung theories.
Özet İngilizce
Kıssa-i Şeyh San’an is one of the most important stories of the Attar’s masnavi called Mantıku’t-tayr. In the work, it is resolved an existential problem of the people search for meaning In this resolution, it is also used the travel allegory which include indirectly cosmogonic and eschatological designs of the sufism. This, is the maturity journey to the beauty which describes the being from the “a’yan-ı sabite” to the appearance in the material world and the evolution process till the return of its main position. Path symbolizes the certain phases. The path as a spatial is not linear in the story, it is circular. Lover, returns to the starting point where he was depart in the first place but the person who came back is not the same person. In this study, based on the Şeyh San’an sample it was scrutinised processes of the function of the path allegory in the sufism; creation phenomenon with love, break taboos of the individuality, obliqueness/ annihilation, the real comprehension of the existence by way of love and the reconstruction of the people. The appearance of the existantialism in Sufism was interpreted over “existence-nonbeing” dialect. The search for meaning is the important step for the explanation of the existence. Basis of the story is composed with the fiction of a “seyr-ü süluk” symbolic self-expression language Such works that question an existential problem are present in all cultures, Jung, who interprets this subject with a scientific care, has revealed that the common culture of mankind is registered in the social unconscious. One of the bases of this study is that a monomyth theory that J. Campbell has built on the basis of Jung theories.
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