CULTURAL SPACE DESIGN IN THE MEDIA, THREE EXAMPLES: “KURTLAR VADİSİ”, “SÜPER BABA”, “EKMEK TEKNESİ”

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  • Makale Bilgileri


    Makale Başlık CULTURAL SPACE DESIGN IN THE MEDIA, THREE EXAMPLES: “KURTLAR VADİSİ”, “SÜPER BABA”, “EKMEK TEKNESİ”
    Makale Başlık İngilizce CULTURAL SPACE DESIGN IN THE MEDIA, THREE EXAMPLES: “KURTLAR VADİSİ”, “SÜPER BABA”, “EKMEK TEKNESİ”
    Cilt / Sayı Cilt: 12 / Sayı: 1
    Yazar Cevdet AVCI
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    DOI
  • Özet Türkçe


    All actions of man from past to present have emerged depending on time and place. Culture can be expressed as a whole of these actions. In all the definitions of culture in the early scientific studies, the commitment to geography, that is, to a place, is pointed out. In the historical process, it has revealed the forms of culture and civilization that man has produced on a particular geography within the framework of the possibilities and limitations of that geography. In this process, three environments of culture defined as oral, written and electronic culture have developed. In the oral culture environment, the human used the memory-based recording system. With the introduction of writing, it is understood that the past and present are reinterpreted in written culture. The contents of the culture, which were recorded with words and writing in electronic culture, entered into the process of transference and reproduction in the new cultural age. When the effectiveness of visual media was realized, this transfer process accelerated. Cinema and television have assumed important functions as a medium of recreation and transfer. Viewed in the context of Turkey, during the first Yeşilçam, then the scenario text of multi-channel television series when switching to stage read in this context. The narratives existing in the cultural memory of the society, historical events, heroes, types of jokes, places have been transferred to many example scenarios. This is similar to the reinterpretation of the existence of culture in verbal memory with the scales of written culture. However, as a cinema and television recording system, it combines narrative with elements of sound, image and color. Therefore, the narrative, space and hero, frozen in the article, gains action similar to that in the oral culture environment. The ratio of this activity in the media determines the agenda of the new cultural age. Space is reinterpreted in the new cultural environment. In this way, the cultural basis of the narrative is reinforced by making use of cultural memory. On the other hand, it can be said in these script texts that space is reproduced by adding new meanings to existing cultural spaces. In addition, new cultural space design is made in series scenarios depending on the content of the narrative. This place can be a home, a business or a neighborhood. This new space designed becomes a cultural space and continues its meaning in the world of the audience after the series ends. In this study, space design in television series is examined and interpreted on the indicators of Super Baba, Ekmek Teknesi and Kurtlar Vadisi.
  • Özet İngilizce


    All actions of man from past to present have emerged depending on time and place. Culture can be expressed as a whole of these actions. In all the definitions of culture in the early scientific studies, the commitment to geography, that is, to a place, is pointed out. In the historical process, it has revealed the forms of culture and civilization that man has produced on a particular geography within the framework of the possibilities and limitations of that geography. In this process, three environments of culture defined as oral, written and electronic culture have developed. In the oral culture environment, the human used the memory-based recording system. With the introduction of writing, it is understood that the past and present are reinterpreted in written culture. The contents of the culture, which were recorded with words and writing in electronic culture, entered into the process of transference and reproduction in the new cultural age. When the effectiveness of visual media was realized, this transfer process accelerated. Cinema and television have assumed important functions as a medium of recreation and transfer. Viewed in the context of Turkey, during the first Yeşilçam, then the scenario text of multi-channel television series when switching to stage read in this context. The narratives existing in the cultural memory of the society, historical events, heroes, types of jokes, places have been transferred to many example scenarios. This is similar to the reinterpretation of the existence of culture in verbal memory with the scales of written culture. However, as a cinema and television recording system, it combines narrative with elements of sound, image and color. Therefore, the narrative, space and hero, frozen in the article, gains action similar to that in the oral culture environment. The ratio of this activity in the media determines the agenda of the new cultural age. Space is reinterpreted in the new cultural environment. In this way, the cultural basis of the narrative is reinforced by making use of cultural memory. On the other hand, it can be said in these script texts that space is reproduced by adding new meanings to existing cultural spaces. In addition, new cultural space design is made in series scenarios depending on the content of the narrative. This place can be a home, a business or a neighborhood. This new space designed becomes a cultural space and continues its meaning in the world of the audience after the series ends. In this study, space design in television series is examined and interpreted on the indicators of Super Baba, Ekmek Teknesi and Kurtlar Vadisi.
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