INTERMEDIA FILM ANALYSIS IN THE CONTEXT OF THE RECEPTION AESTHETİCS
ZEITSCHRIFT FÜR DIE WELT DER TÜRKEN
Article Information
| Article Title | INTERMEDIA FILM ANALYSIS IN THE CONTEXT OF THE RECEPTION AESTHETİCS |
| Article Title English | INTERMEDIA FILM ANALYSIS IN THE CONTEXT OF THE RECEPTION AESTHETİCS |
| Volume / Issue | Volume: 12 / Issue: 3 |
| EDITOR | Alper KELEŞ |
| Article Language | Turkish |
| DOI |
Summary Turkish
The theory of reception aesthetics has brought about a radical change in the analysis of literary text and the necessity of discussing this process which produces reader-response meaning by many different disciplines has appeared in parallel with this. In this study, the marks of this literature centred approach will be discussed by following an intermedia method, through the receptors of the film media in a word, the audience. Hereby firstly, by discussing the definition and concepts of the descriptive method and reader-response reception aesthetics, the conceptual framework will be created and with reference to this theory, the intermedia equivalents of the reader, author and text facts will be searched. In addition, in this study, the possibility of film analysis which involves the reader to the narrative effectively in story telling and which is described as a text with the concepts of the reception aesthetic theory. With literature centred approach, the evaluation of the narrative elements of the film media constitutes the essential feature of this study. The phase of the audience creates a meaning on the film enables to establish a bound between the realism theory and the reception aesthetics theory of cinema. This also shows that medias which are different from each others in terms of form and phraseology can be interpreted and analyzed in many similar ways, on the other hand, these works can reinterpreted in context of reader/audience.
Summary English
The theory of reception aesthetics has brought about a radical change in the analysis of literary text and the necessity of discussing this process which produces reader-response meaning by many different disciplines has appeared in parallel with this. In this study, the marks of this literature centred approach will be discussed by following an intermedia method, through the receptors of the film media in a word, the audience. Hereby firstly, by discussing the definition and concepts of the descriptive method and reader-response reception aesthetics, the conceptual framework will be created and with reference to this theory, the intermedia equivalents of the reader, author and text facts will be searched. In addition, in this study, the possibility of film analysis which involves the reader to the narrative effectively in story telling and which is described as a text with the concepts of the reception aesthetic theory. With literature centred approach, the evaluation of the narrative elements of the film media constitutes the essential feature of this study. The phase of the audience creates a meaning on the film enables to establish a bound between the realism theory and the reception aesthetics theory of cinema. This also shows that medias which are different from each others in terms of form and phraseology can be interpreted and analyzed in many similar ways, on the other hand, these works can reinterpreted in context of reader/audience.
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